Andy H. offers Acting Lessons, Child Acting Lessons, Clowning Lessons, C...

Tutor in San Francisco, CA 94121

San Francisco, CA 94121

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Price starts at: $35.00

Subjects: Acting, Child Acting, Clowning, Creative Writing, Film and TV Acting, Improv Acting, Improv Comedy, Meisner Technique, Method Acting, Public Speaking, Screenwriting, Shakespearean Acting, Speaking Voice, Spoken Word, Stage Performance, Stand Up Comedy, Theater Acting, Voice Acting, Writing

Andy is a positive, knowledgable teacher and coach for anyone having/wanting to work in front of an audience or meeting, having to memorize text, analyze lines, sentences, plots and sell a story. Sessions search for paths to confidence as well as competence. A performer, director and teacher for over 30 years, I’ve studied teachers and students to learn that whatever frees a person to be comfortable with a task, and with the effort to develop skills, is a wonderful ‘method’. We’d use movement, what-ifs, and references to life and death! And humor. Clients include a featured Narrator for SFGMC’s winter show, an actor needing a monologue coach for her move to L.A., peninsula teens auditioning for their school musicals, and Bay Area youth and senior theater companies, and local community and professional performers. I taught high school drama while directing and acting in new and published plays and musicals in San Francisco, Berkeley, Oakland, Ross, Pacifica, New Haven and Los Angeles.


Child Ages:
3 weeks - 17 years
  • Levels and Ages
  • Types of Lessons Available
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EDUCATION

Date: September 15, 1973 – June 15, 1977
School: San Francisco State University
Degree: BA, Interdisciplinary Creative Arts
Description: This course of study allowed me to investigate all the fields of art I was ever drawn to, including acting, directing, vocal performance, radio, film and television writing and production. With this degree, in particular, I found a position with a professional San Francisco theater company, marketing and publicizing their five-star shows. That apprenticeship with well-known directors and teachers around, set me on the course that leads me to anyone wanting to take a creative step in their lives – interdisciplinar-ily!

Date: February 15, 1980 – September 15, 1981
School: New School of Social Research
Degree: Musical Performance
Description: Performing in a cabaret is different from performing in a band, in a musical, in your bathroom! In these sessions, at New York City’s New School, under the guidance of the Metropolitan Opera’s Caroline Aron, we worked on all of these, and then went out to clubs with sing-along piano players, and sang the night away!

Date: June 15, 1991 – June 15, 1992
School: Standard Institute for Musical Theatre
Degree: Auditioning for Musical Theatre
Description: Daniel Levenstein’s Institute lasted only long enough for him to team up with Michael Smuin to create the brilliant Smuin Ballet in San Francisco. He is still a much-sought-after vocal coach and teacher. I left his workshops with several strong choices for my own musical auditions. I’m not really a voice teacher, but I can certainly help you with song selection and presentation.

Date: August 15, 1985 – June 15, 1987
School: San Francisco State University
Degree: Teaching Credential Program – English/Drama
Description: Studies in pursuit of teaching credential with emphasis on drama. Focused studies on course and lesson design, directing, technical theatre design and operation, theatre management, acting, Shakespeare, international playwrights. **I also acted and directed plays for the black box theaters in the Performing Arts complex, as well as becoming Managing Coordinator for them, and SFSU’s McKenna and Knuth Halls.

Date: March 15, 1996 – June 15, 1996
School: San Francisco Shakespeare Festival
Degree: Performing Shakespeare
Description: Monologue and scene study with casting director Barbie Stein and Russell Blackwood of Thrillpeddlers. **Two of San Francisco’s most imaginative and generous theater folk, I still use my Iago monologue for auditions!

Date: September 15, 1985 – December 15, 1988
School: Jean Shelton Actor’s Lab
Degree: Acting
Description: Three years of actor training with Jean Shelton and her approach to method acting based on the teachings of Stella Adler and Herbert Berghof. I learned how to use the inclinations to naturalness that “Method” is supposed to lead to, but how keep it from being a formula for one-size-fits-all acting.

Date: January 15, 2002 – June 15, 2007
School: San Francisco and Tyson’s Corner, VA
Degree: Intenational Baccalaureate Theatre Arts
Description: The IB Organization offers secondary school students worldwide consistent, high-standards education in many fields, including Theatre Arts. Seminars on IBO philosophy, course design and assessment rubric describe this academically demanding, multi-cultural approach to studying dramatic literature, performance and history. Participation in exercises and games introducing specific cultural approaches to performance (e.g. Bunraku, and Commedia del Arte) as models for lesson planning. **These workshops were fantastic, with teachers and experts from around the world offering different approaches to storytelling, staging and literature. Setting high academic standards, their curriculum focuses on an individual student’s interests and goals. Very much my way of thinking, as well!

EXPERIENCE

Date: September 15, 1980
Organization: Various Companies
Title: Teaching
Description: Second job, high school/college: Member, Junior Speakers Bureau, Coast Federal S&L, Los Angeles. Topic: “Rock ’n Roll and the American Way” Highest Rated Member, 3 years.

Teaching Accomplishments since:

Created on-going drama programs and performance series at two large urban high schools.

Trained dozens of students known to have been accepted to focused post-secondary theater and film programs, including AMDA – New York and Los Angeles, Southern Oregon University, American Academy of Dramatic Arts, University of Chicago, NYU, San Diego and San Francisco State Universities, and the University of North Carolina. Some of these, and others, are working professionally in stage, film and television.

Guided twelve of twelve International Baccalaureate Theater Arts students to achieving their desired IB certificate or diploma.

Coached acting students who were awarded Gold Medals at Hayward State’s Shakespeare Festival and Competition and the Ohlone College High School Arts Competition.

Worked with teachers on subject area teaching using drama techniques in English, history and Special Education classes.

Artist-in-Residencies
Teaching performance skills and directing the school productions for:

  • Del Mar Middle School, Tiburon, CA – “And Now for Something Completely Different: the Early Works of Monty Python”
  • Ortega Elementary School, Pacifica, CA – “Story Theatre”
  • San Francisco Elementary School, San Francisco, CA “Peep, Peep!”
  • Cabrillo School, Pacifica, CA – Theatre games and performance training.

Artistic Director
Giving Voice Performing Arts Program, St. Paulus Church, San Francisco, CA

  • Mentored drama teacher and collaborated with music and dance teachers to develop multi-cultural performing arts training program for 7-15 year-old youths in San Francisco’s Tenderloin district.
    Designed and directed public performance for this pilot program.

Teacher/Director
Drama I-IV, IB Theatre Arts, Academic Literacy, Sequoia High, Redwood City, CA.

  • Developed and delivered standards-based instruction using performance, literature, culture studies and technical training in theatre arts as a means for expression, questioning, critical thinking, understanding and planning for the future.
    Directed 14 student musicals and plays, coached acting competitions, and consulted on school events inside and outside the theater space.
    Taught study, inquiry and writing skills to at-risk students and motivated them to prepare for high school academics.
  • Plays: The Outsiders, Custodians of Love, Nothing But The Truth, The Wonderful Adventures of Don Quixote, Once On This Island, Twelve Angry Women, Big, Working, An Evening of Peace, Leader of the Pack

Teacher/Director
Educational Theatre Company, San Mateo, California.
*Developed a four-month program of Actor Training and rehearsal and directed OLIVER! for new and veteran actors, aged 6-70, leading to production in San Francisco.
Developed summer-long Actor Training Intensive for youth 6-19 and directed ONCE ON THIS ISLAND for this non-profit family theater company in San Mateo.

Teacher/Director
Drama and English Teacher at Oakland Technical High School, Oakland, California.

  • Developed and delivered PAIDEIA English linked to Drama classes to broaden student discussion of literature. Conducted project-based training using developmentally appropriate material and practice.
    Produced 14 plays and musicals, Brown Bag Theatre, assembly skits and sketches, Parent Night for intermediate and advanced students.
    Developed college preparatory, literature-based curriculum with emphasis on writing and critical thinking skills in sophomore and junior English and Creative Writing classes.
  • Plays: The Sting, Harvey, The Curious Savage, Guys and Dolls, Twelve Angry People, Promises, Promises, Up the Down Staircase, Purlie, Langston, Play On!

Date: September 15, 1987
Organization: A Variety of Companies
Title: Directing and Coaching
Description: Taught and directed current professional performers including:

Rockmond Dunbar (TV’s Prison Break, The Mentalist, Sons of Anarchy, Soul Food))

Anita Woodley (International Performer: Mama Juggs, The Men in Me),
Armond Dorsey (Vallejo Shakespeare Festival, UCSC’s Rainbow Theater),
Genevieve Lee (TV’s Grace and Sumitra, Two-Buck Chuck)

Coached actors in Jehnovah Carlisle’s film, “A Call to Grace”, to demonstrate directing techniques for his Master class.

Audition Coach, drama and musicals, for young performers applying for scholarships, professional theatre and film schools, plays and clubs in San Mateo County.

Stage Director (Favorite Projects)

  • Arlecchino’s Last Prank/Goodbye Cupid @ Left Coast Theater Company, S.F.
  • Baby Christina/The Buck-Naked Church of Truth @ Left Coast Theater Company, S.F.
  • Bernie Madoff in Hell @ San Francisco Theatre Festival, S.F.
  • And Then There Were None @ Pacifica Spindrift Players, Pacifica,
  • Twelve Angry Jurors @ Calvary Theater Group, S.F.
  • Woman Who Flummoxed the Fairies @ Storytime Festival, Palace of Fine Arts, S.F.
  • Oliver! @ Spindrift School of Performing Arts, Pacifica
  • Go Kibbutz! @ S.F. Fringe Festival, Phoenix Theatre, S.F.
  • Giving Voice @ Summer Youth Arts, St. Paulus Church, S.F.
  • Forty Cents A Minute, Gerry’s Law, Rosabelle-answer-tell – 3 Bay Area 1-Act Festivals, Eureka Theatre, S.F.
  • Raggedy Ann and Andy @ Performing Artists Group, City College, S.F.
  • No Entrance @ CA Travel Troupe, Edinburgh Fringe, Scotland [5-star reviews!]
  • Once On This Island, Oliver! @ Educational Theatre Company, San Mateo, CA
  • The Heidi Chronicles, Ten Little Indians, Nourish The Beast @ New Fillmore Theatre Company, S.F.
  • Play It Again, Sam! @ New Foundling Players, West Haven, CT

Staged Readings

  • I Can’t Remember by Maureen Studer @ Ross Valley Players RAW New Play Series, Ross, CA
  • Fingers by Jon Brooks @ Playwrights Center of San Francisco. Title changed to “Shoot O’Malley Twice”
  • Main Entry by Beth Soloway @ Playwrights Center of San Francisco

Date: September 15, 1958
Organization: A Variety of Companies
Title: Acting
Description: First job, age 9: Singing in “Heart of Darkness”, by Joseph Conrad for Playhouse 90 on CBS, starring Boris Karloff, Roddy McDowell, Eartha Kitt and Inge Swenson.

(Favorite Roles since then)

Stage:

  • Twelfth Night as Sir Andrew Aguecheek @ Vallejo Shakespeare Festival, Vallejo and Martinez, CA
  • The Exonerated in Multiple Roles for Teatro Vagon @ Theatre Brava, San Francisco
  • Annie Warbucks as Oliver Warbucks @ Educational Theater Company, Cañada College
  • Cinderella as King Maximillian @ Pacifica Spindrift Players
  • Bus Stop as Virgil Blessing @ Pacifica Spindrift Players
  • The Creation as God @ Diego Rivera Theatre, CCSF, David Parr, Director
  • Henry IV, Part 1 as Earl of Worcester @ Alien Corn, Next Stage Theatre, San Francisco
  • Purlie Victorious as Cap’n Cotchipee @ Multi-Ethnic Theatre, San Francisco
  • Trouble In Mind as Al Manners @ Black Repertory Group, Berkeley
  • A Chorus Line as Zack @ Laney Community Theatre, Oakland
  • Langston as White Man @ Oakland Summer Theatre, Oakland
  • Working as Lovin’ Al @ Carrington Hall, Redwood City
  • To Be Young, Gifted and Black in Multiple Roles @ Multi-Ethnic Theatre, San Francisco
  • The Heidi Chronicles in Multiple Roles @ New Fillmore Theatre Company, San Francisco

Film/Video:

  • Mercury Panic! as Chief of Detectives for Duo-Vision, Japanese TV
  • Arriba! Industrial Film as Featured character for In-Vision Communications, Walnut Creek, CA
  • A Tale of Two Restaurants. Industrial Film as Featured character for Omega Productions, Mill Valley, CA
  • Two New Dogs. Independent Film, Featured character as Mr. Anderson – teacher, Sun Kim Producer/Director
  • From the Inside. Independent Video as Featured character – teacher Mr. Hamner – Bass/Francis Group, Los Angeles
  • What It Is! Educational Video as Lead – a potential client – Group 3 Productions, San Francisco
  • Made in America, Featured Extra. Richard Benjamin, Director
  • The New Centurions, Featured [cut :( ] Columbia Pictures.

Other:

  • Movement and Improvisational Mime Ensemble. New Haven, CT.
    A touring mime company
  • A Worker Reads History. Reader, Dancer. Theatre That. New Haven CT
  • Subject to Change. Collaborator, Coach, Editor, Actor, Narrator for this original production as a Benefit for the New Haven Rape Crisis Center.
  • Recital and Public Performer (Vocalist): New York, San Francisco, Los Angeles, Berkeley, New Haven, Portland ME, Austin TX, Oakland

CERTIFICATES

Date: January 15, 2004
Authority: Commission on Teacher Credentialing
Name: CLAD Certification
Description: Cross-cultural, Language, and Academic Development certification is required of California teachers, and has been valuable for my classes with English Language learners from Bolivia to Laos, and China to Iceland.

Date: March 15, 2004
Authority: California Department of Education
Name: NCLB Highly Qualified Teacher
Description: This became a required designation under the No Child Left Behind program proving study, accreditation, and competency in one’s field.

Date: June 15, 1987
Authority: San Francisco State University
Name: Single Subject Clear Credential
Description: Authorization to teach English (Academic Literacy, writing, literature) and Drama classes.

AWARDS

Date: December 15, 2000
Authority: Bay Area Newspapers
Name: Published Reviews
Description: On "Gerry’s Law” San Francisco’s One Acts Festival:
“The best [play] comes last, with Alan Fitch’s hospital room two-hander, “Gerry’s Law”. Structured as bookend monologues for an arrogant dying professor… and his ostensibly meek brother… the play has a kind of bluntness suited to its theme. The fluid writing… rises above its plain construction… [It] ends with a maudlin touch, but to its credit, the play doesn’t try to button things up… Andy Hamner is the able director.” – Steven Winn, San Francisco Chronicle.

On “Oliver!” At SSPA, Pacifica:
“…inspired director Andy Hamner pours everything, including magic, into this spellbinding production of a sympathetic young boy who simply asks for more.” – Jean Bartlett, Pacifica Tribune, San Jose Mercury News.

On “And Then There Were None”, Spindrift Players:
“Director Andy Hamner has pulled together a strong ensemble cast to keep the tension rolling throughout this unsettling whodunit of conscience and retribution. And in keeping with the “Christie” tradition, Hamner has his characters retain that proper English tweed-suit sense of decorum, even when their frayed nerves are close to igniting… There is a certain thrilling claustrophobia in Andy Hamner’s “And Then There Were None”. And the play clearly makes the case that justice is not always served in the courtroom. Sometimes it’s served on stage.” – Jean Bartlett, Pacifica Tribune, San Jose Mercury News.

On “Ten Little Indians”, New Fillmore Theatre Company, San Francisco
“Usually, in a play this size, one or two actors stand out. However, this ensemble cast did a good job. Director Andy Hamner deserves credit for taking a very verbal play and pacing the delivery so that the words flow quickly and do not hang out in space. Also, the use of sound effects and simple set design were very effective.” – Jeffrey Winters, New Fillmore News.

Acting reviews:

On “Purlie Victorious”, Multi-Ethnic Theatre, San Francisco
“Equally wonderful and believable in the role Ol’ Cap’n Cotchipee, the old white plantation owner… Hamner’s experience on stage was visible in his portrayal, and he made for a well-cast character opposite Purlie.” Lysa Allman, San Francisco Bay View.

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